A few months back, I had rented a couple of movie DVDs, one was “The Family That Preys,” (AKA “Tyler Perry’s Dallas”) and the other was “Lakeview Terrace.” I said I would render my opinions on both films, so let me finally get around to talking about the latter film.
I liked it, plain and simple. Lisa (Kerry Washington) and Chris (Patrick Wilson) are recently married and have just bought a house in a hilly, suburban ethnically mixed neighborhood. But their immediate neighbor, Abel (Sam Jackson), is a menacing pain in the butt who does not conceal his disapproval of their relationship. Even the people who were basically good, like Chris and Lisa, suffered from occasional, unflattering moments that exposed real biases and vulnerabilities that, oddly enough, made made me root for them all the more. For instance, I could forgive Christopher’s major infantile moment, described in more detail later or Lisa’s brief bout of smarmy overreacting when she told Chris that his parents tell her over and over that they love her. I liked the way that the director poked at their tender underbellies, put them under pressure and forced the characters to show what they’re really made of.
Here are two of my favorite moments. The first is when Lisa broaches the topic of getting pregnant and starting a family. Chris, displaying all the immaturity of a man clinging to his adolescence, says: “We’ll get around to it. We don’t know how any of this is gonna play out.” Oh really?? What exactly does Chris mean by ‘any of this?’ The house or a pregnancy or maybe the marriage? Kind of knocked him down a notch in my estimation. But I was still rooting for the couple.
The other unflattering slip comes from Lisa’s father, to Chris: “Are you going to have children with my daughter?” The hits just keep on coming! Considering that Chris and Lisa are married, whom did Harold expect Chris to have kids with, hmmm? Wouldn’t it be a piece of trifling, ghetto nonsense for Chris to have Lisa as his trophy in a house on a hill and knock up some side project someplace else? Honestly, the men in this film are less than impressive at times.
Samuel Jackson’s character, as it turns out, was bitter about Lisa and Chris’ relationship—and other BW/WM pairings, presumably—because his wife apparently cheated on him with a white man. So now in his mind, white men get through life thinking they are entitled to whatever they want, including other men’s wives. Eh, I thought that motivation was a bit trite, but it didn’t take away from Sam Jackson’s entertaining performance.
Go out and rent this film, if you haven’t seen it already. The scenery and sets are attractive, it’s good to see Ron Glass again and Lisa does not get back-slapped across a countertop. Although there is one scene, where a guy breaks into their house, and …
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Only since the end of my maternity leave have I even attempted to keep monthly appointments at the salon. Previously, I made it to Lash Out every three months or so at best, after my hair had already begun to revert to its thick, coarse texture. You might think that by the time my hair had reached that state, I would take the sessions seriously. No, I did not. I would sit in her plush red leather chair at Lash Out and stick my nose in a glossy magazine or book while she turned my neglected mane into neat glossy curls, like the ones in these pictures. And I’ve taken to asking her to be done with my hair in three hours, tops. I think that part is unnecessary, because she juggles clients efficiently, moving the ladies from the chair to the sink to the dryers and back again with fluid precision. Plus, I don’t want to come across as rude, like I don’t want to be there. I’m just not the type of person who wants to spend a lot of time on her hair.
Aside from outcomes like this, there are other reasons to keep going back to Lash Out. It’s like a two-hour (three, at the most) break from the daily Mommy grind. The interior is beautifully decorated, with its red and yellow walls hung with giant prints of Diana Ross and Audrey Hepburn, and Tiffany-style light fixtures. The owner and main stylist are both businesslike yet friendly, somewhere in their late 20s and always stylishly dressed and coiffed. Some R&B or soul artist like Jill Scott is always being piped through the sound system and a black film is often running on the flat-screen TV in the back parlor. Lash Out installs edgy, stylish eyelashes for more daring clients, and one stylist also threads eyebrows. The place just has a cutting-edge urban vibe to it. I might feel urban during my weekday commutes in and out of New York, but otherwise, I don’t feel edgy. Just when I start to miss Baby, like when I really need to give her plump little self a squeeze, my stylist is done and I can get back home to pick up my life where I left off.
Love you, too, baby.


When I read about
Anyway, it’s much more important — for the purposes of this blog — that Dr. Rice has intermarried. Her husband is Ian Cameron, a Canadian and executive producer of ABC News’s “This Week with George Stephanopoulos”. Let us skip all the debate about whether there are any conflicts of interest here, that a senior administration official is married to a high-level media executive for one of the most popular political news shows currently on the air. And don’t even read the nasty Internet comments about how hard it is to tell whether the ‘Northeastern elites’ are intermarried, because so few of them (including yours truly, although I’m not one of the elites) change their surnames after marriage.